A "Feast of Fools": Food Security and the Carnivalesque in Peterborough, Ontario's Food Not Bombs

Dylan McMahon


Counterculture movements in the 1960s and 70s dramatically reorganized the role of bodies within social frameworks and saw the internalization of political issues, both figuratively and literally. The political became the personal and quotidian moments of consumption became sites of resistance. As Warren Belasco suggests, in reference to the radical food movements that saw the expulsion of "Wonderbread" and the resurgence of home-cooked holistic foods, "[d]ietary radicalism could be lived 365 days a year, three times a day. If, as Leftists knew, the personal was political, what could be more personal than eating? And what could be more political than challenging America's largest industry, the food business?" (227). Food provides a dynamic vessel for engaging with politics and capital at both the gastronomical level (what we choose to put into our bodies) and the social level (how we arrange our bodies collectively and individually). The kneading, baking, and consumption of bread, for example, provide precious, intimate moments for expressing agency and resistance to systems of power. Belasco saw this...

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food security; political critique; carnivalesque

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MANAGING EDITORS   Sarah Iannicello, Benjamin J. Kapron

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VOL 20 CFP PRIMARY AUTHOR   Ronak Ghorbani Nejad

SCHOLARLY REVIEW TEAM   James Arruda, Nicole Beuglet, Julie Chamberlain, Aadita Chaudhury, Amanda Di Battista, Kesha Fevrier, Sarah Iannicello, Adam Linnard, Jessica Lukawiecki, Jacob McLean, Michaela McMahon, Indra Singh

CREATIVE REVIEW TEAM   Nicole Beuglet, Amanda Di Battista, Sarah Iannicello, Morgan Johnson, Kelly King, Andrew Mark, Eva Mencin, Indra Singh

COPY EDITORS   Sarah Iannicello, Benjamin J. Kapron, Rachel Lam, Anthony Sandre

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FUNDING SUPPORT   Faculty of Environmental Studies (York University), PhD Environmental Studies Student Association

SPECIAL THANKS TO   Nina de Jesus, Amanda Di Battista, Ruben Esguerra, Steve Glassman, Darren Patrick, Lily Piccone, Dr. Catriona Sandilands, and Dr. Peter Timmerman

COVER ARTWORK   Kokila Bhattacharya